Hedda Gabler

By Henrik Ibsen Translated from the Norwegian by Michael Meyer
Directed by Max Lewendel
A co-production with King's Theatre, Southsea

Icarus brings you one of the earliest challenges to modern patriarchy, a brazen precursor to feminism and gender equality. Recession and economic boom sit side by side in Hedda’s world, antiquated by patriarchal society and made vibrant by Hedda’s lust for life.

The Cast

About

These impulses come over me all of a sudden, and I just can’t resist them.

Icarus brings you one of the earliest challenges to modern patriarchy, a brazen precursor to feminism and gender equality. Recession and economic boom sit side by side in Hedda’s world, antiquated by patriarchal society and made vibrant by Hedda’s lust for life.

Hedda Gabler, one of the most notorious heroes in theatre, was born into a legacy of aristocracy. Though she lived a pampered life, Hedda's time as a single girl ran out and she married academic George Tesman, a man she clearly no longer loves - if, indeed, she ever did. Now Hedda is driven to diabolical ends trying to discover purpose in her life as she increasingly finds the world closing in on her.

Neil McEwan

"If this is what comes from flying too close to the sun,

then long may they continue"

Marketing information

Neil McEwan

"If this is what comes from flying too close to the sun,

then long may they continue"

Venues click here

Creative Team

Director: Max Lewendel
Movement Director:
Carrie Mueller
Vocal Coach: Emma Vane
Production Manager: Meg Jones
Set Design: Christopher Hone
Costume Design: Ilona Kahn
Sound & Music: Theo Holloway
Lighting Design: Chris Withers
CSM: Aaron Carrington
ASM: Ben Hawkins, Kaiden DuBois
Photographer: George Riddell

Cast:

Hedda Gabler: Alice Bonifacio
George Tesman: David Martin
Eilert Loevborg: David Sayers
Judge Brack: Julian Pindar
Thea Elvsted: Holly Piper
Juliana Tesman: Deborah Klayman
Bert: Kaiden DuBois

More information

Running time: approx 2 hours 30 minutes, including interval

Reviews

Click here to read more reviews

Roderic Dunnett

Nothing will stop me asserting this company is one of the best young outfits in English theatre today, giving a platform to some of the ablest prospects setting out on their acting career, or from encouraging you to see them whenever they come anywhere near you. 

The Scotsman - Kelly Apter

With fire in her eyes, and a look that feels seconds away from menace, Bonifacio does a fine job of carrying this most iconic of 19th century female characters.

Alice Bonifacio

Using original music by Theo Holloway, traditional costumes and a dramatically lit, turn-of-the century, household set, Icarus Theatre are living up to their reputation as a visually rich and dynamic theatre company.

Current Tour Schedule

What does our Community say?

Read our reviews over 24 productions

Trial of Galileo

RemoteGoat

★★★★★
"Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon, A fine production, and a fantastic example of a writer and performer at the top of their game".

How to be a Bad Girl

Deadline News

★★★★
"Chap's cheeky, witty and bold personality shines through as she sings the stories of her own life, and sometimes others - all with wonderful vocal ability and tone that excites and engages the mixed crowd that packed in to the room to see her."
Lucy Samson

Macbeth

Carrick Biz

★★★★
"Five Stars alone are due to the designers of the simple set and the expressive mood-setting lighting and sound. You'll find out what a bane-moon looks like."
David Kerr

Hamlet

Review Sphere

[Their] adaptation truly had rebranded Hamlet for the Game of Thrones age. It was daring and experimental and often risky, but it worked and proved that it is indeed a living and ever fluid piece of literature"
Caroline Malcolm Boulton

Trial of Galileo

RemoteGoat

"Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon, A fine production, and a fantastic example of a writer and performer at the top of their game".

How to be a Bad Girl

Deadline News

"Chap's cheeky, witty and bold personality shines through as she sings the stories of her own life, and sometimes others - all with wonderful vocal ability and tone that excites and engages the mixed crowd that packed in to the room to see her." Lucy Samson

Macbeth

Carrick Biz

"Five Stars alone are due to the designers of the simple set and the expressive mood-setting lighting and sound. You'll find out what a bane-moon looks like." David Kerr

Hamlet

Review Sphere

Icarus Theatre Collective's adaptation truly had rebranded Hamlet for the Game of Thrones age. It was daring and experimental and often risky, but it worked and proved that it is indeed a living and ever fluid piece of literature." Caroline Malcolm Boulton

Many Roads to Paradise

Uk Theatre Web

★★★★★
"For many reason this play should be seen by everyone. Drama students and theatre-lovers alike will applaud fine acting by the strongest of casts, you would pay a lot of money in the West End for a class act like this"
Gene David Kirk

Journeys End

The Public Reviews

★★★★
"Journey’s End’ is very much an ensemble piece and it would be difficult and probably rather unfair to pick out one actor over another. Each and every performance is consummately delivered." Steve Burbridge

At the Mountains of Madness

Ija Pona

★★★★★
"We were treated to a show that was true to the H. P. Lovecraft original and made the hair stand up on the back of my neck. I experienced frisson during last night."

Romeo & Juliet

British Theatre Guide

★★★★
Max Lewendel’s careful direction makes perfect sense of the tricky text, finding as much humour as possible in the early comic scenes. He keeps his actors on the move, each with purpose and justified intention.
Helen Brown

Many Roads to Paradise

Uk Theatre Web

★★★★★
"For many reason this play should be seen by everyone. Drama students and theatre-lovers alike will applaud fine acting by the strongest of casts, you would pay a lot of money in the West End for a class act like this"
Gene David Kirk

Journeys End

The Public Reviews

★★★★
"Journey’s End’ is very much an ensemble piece and it would be difficult and probably rather unfair to pick out one actor over another. Each and every performance is consummately delivered." Steve Burbridge

At the Mountains of Madness

Ija Pona

★★★★★
"We were treated to a show that was true to the H. P. Lovecraft original and made the hair stand up on the back of my neck. I experienced frisson during last night."

Romeo & Juliet

British Theatre Guide

★★★★
Max Lewendel’s careful direction makes perfect sense of the tricky text, finding as much humour as possible in the early comic scenes. He keeps his actors on the move, each with purpose and justified intention.
Helen Brown