Othello: Moor of Venice

Written by William Shakespeare
Starring Gary Stoner as Othello
A co-production with King's Theatre, Southsea

Tackling subjects of racism, belonging, and deception, this is a classic take on a poignant tragedy that mercilessly explores every inch of the human condition.

Book TicketsInfo for Theatres
The Cast

About

A tempestuous journey from scandal and intrigue to lust and vengeance.

Othello is a legend in his own lifetime, noble, brave, victorious. Honest Iago fuels his venom with malignance and hateful contempt. Poignant, intense, heartbreaking; Othello mercilessly explores every inch of the human condition.

Othello’s world will be brought vividly to life as a live string quartet and a stunning ensemble cast combine with some of literature’s most vibrant language and characters. A dangerous tale of ambition, jealousy and love will unfurl as Shakespeare’s classic tale of deception hurtles to its dramatic and poignant conclusion.


Neil McEwan

"If this is what comes from flying too close to the sun,

then long may they continue"

Marketing information

Neil McEwan

"If this is what comes from flying too close to the sun,

then long may they continue"

Venues click here

Creative Team

Director: Max Lewendel
‍Asst Director: Eirik Bar
‍Composer: Ron McAllister
‍Fight Director: Ronin Traynor
‍Movement Director: Carrie Mueller
‍Vocal Coach: Emma Vane
‍Production Manager: Meg Jones
‍Production Administrator: Ceri Ellen Payne
‍Set Design: Christopher Hone
‍Costume Des: Ilona Kahn
‍Sound Design: Tom Neill
‍Sound Engineer: Theo Holloway
‍LX Design: Chris Withers
‍ASM: Ben Hawkins, Kaiden DuBois
‍Photographer: George Riddell

Cast:

Othello: Gary Stoner
‍Iago: David Martin
‍Desdemona: Holly Piper
‍Emilia: Deborah Klayman
‍Roderigo: David Sayers
‍Cassio: Julian Pindar
‍Bianca: Alice Bonifacio

‍

More Information

‍

Running time: approx 2 hours 30 minutes, including interval.

‍

Reviews

Click here to read more reviews

★★★★

Amy Taylor

A co-production with Icarus Theatre Collective and Kings Theatre, Southsea, this production brings music, energy and unity to this infamous and controversial tragedy.

Peter King

A breathtaking nautical set decked out with white boards and ever-burning lights in nets of hempen tackle provided a fitting platform for Iago

★★★★

Tim Mottershead‍

In an unusual take, almost the entire cast played stringed instruments throughout the production...except Othello - presumably to underline the fact he was an 'outsider'.

Current Tour Schedule

Gallery

No items found.

What does our Community say?

Read our reviews over 24 productions

Trial of Galileo

RemoteGoat

★★★★★
"Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon, A fine production, and a fantastic example of a writer and performer at the top of their game".

How to be a Bad Girl

Deadline News

★★★★
"Chap's cheeky, witty and bold personality shines through as she sings the stories of her own life, and sometimes others - all with wonderful vocal ability and tone that excites and engages the mixed crowd that packed in to the room to see her."
Lucy Samson

Macbeth

Carrick Biz

★★★★
"Five Stars alone are due to the designers of the simple set and the expressive mood-setting lighting and sound. You'll find out what a bane-moon looks like."
David Kerr

Hamlet

Review Sphere

[Their] adaptation truly had rebranded Hamlet for the Game of Thrones age. It was daring and experimental and often risky, but it worked and proved that it is indeed a living and ever fluid piece of literature"
Caroline Malcolm Boulton

Trial of Galileo

RemoteGoat

"Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon, A fine production, and a fantastic example of a writer and performer at the top of their game".

How to be a Bad Girl

Deadline News

"Chap's cheeky, witty and bold personality shines through as she sings the stories of her own life, and sometimes others - all with wonderful vocal ability and tone that excites and engages the mixed crowd that packed in to the room to see her." Lucy Samson

Macbeth

Carrick Biz

"Five Stars alone are due to the designers of the simple set and the expressive mood-setting lighting and sound. You'll find out what a bane-moon looks like." David Kerr

Hamlet

Review Sphere

Icarus Theatre Collective's adaptation truly had rebranded Hamlet for the Game of Thrones age. It was daring and experimental and often risky, but it worked and proved that it is indeed a living and ever fluid piece of literature." Caroline Malcolm Boulton

Many Roads to Paradise

Uk Theatre Web

★★★★★
"For many reason this play should be seen by everyone. Drama students and theatre-lovers alike will applaud fine acting by the strongest of casts, you would pay a lot of money in the West End for a class act like this"
Gene David Kirk

Journeys End

The Public Reviews

★★★★
"Journey’s End’ is very much an ensemble piece and it would be difficult and probably rather unfair to pick out one actor over another. Each and every performance is consummately delivered." Steve Burbridge

At the Mountains of Madness

Ija Pona

★★★★★
"We were treated to a show that was true to the H. P. Lovecraft original and made the hair stand up on the back of my neck. I experienced frisson during last night."

Romeo & Juliet

British Theatre Guide

★★★★
Max Lewendel’s careful direction makes perfect sense of the tricky text, finding as much humour as possible in the early comic scenes. He keeps his actors on the move, each with purpose and justified intention.
Helen Brown

Many Roads to Paradise

Uk Theatre Web

★★★★★
"For many reason this play should be seen by everyone. Drama students and theatre-lovers alike will applaud fine acting by the strongest of casts, you would pay a lot of money in the West End for a class act like this"
Gene David Kirk

Journeys End

The Public Reviews

★★★★
"Journey’s End’ is very much an ensemble piece and it would be difficult and probably rather unfair to pick out one actor over another. Each and every performance is consummately delivered." Steve Burbridge

At the Mountains of Madness

Ija Pona

★★★★★
"We were treated to a show that was true to the H. P. Lovecraft original and made the hair stand up on the back of my neck. I experienced frisson during last night."

Romeo & Juliet

British Theatre Guide

★★★★
Max Lewendel’s careful direction makes perfect sense of the tricky text, finding as much humour as possible in the early comic scenes. He keeps his actors on the move, each with purpose and justified intention.
Helen Brown